A Rare Opportunity for Collectors
This attributed Thomas Chambers landscape oil on board is a remarkable opportunity for collectors of early American art.
Chambers (American, 1808–1869) is celebrated for his vibrant and imaginative landscapes.
His work stands apart for bold colors, stylized forms, and a vision that remains compelling today.
Provenance and Authenticity
The painting bears a metal plaque inscribed with the artist’s name, affirming its distinguished attribution.
In addition, it carries provenance from Steve Miller, Early American Art Dealer, New York, who authored The Art of the Weathervane.
Therefore, this provenance provides both credibility and historical depth.
Artistic Significance
Rendered in oil on board, the composition reveals Chambers’ hallmark treatment of light and atmosphere.
Moreover, collectors recognize his work as both historic and modern, securing his place as one of America’s most original 19th-century painters.
Consequently, owning such a piece connects you to a defining moment in American cultural heritage.
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, we curate not only Hermès rarities but also significant fine art.
Equally important, this Thomas Chambers landscape oil on board will resonate with those who value provenance, artistry, and timeless beauty.
Whether as the cornerstone of a collection or as a single evocative statement, it bridges the world of American history and fine art collecting.
Provenance & Details
- Attributed to: Thomas Chambers (American, 1808–1869)
- Medium: Oil on board
- Features: Metal plaque inscribed Thomas Chambers
- Provenance: Steve Miller, Early American Art Dealer, New York; Author of The Art of the Weathervane
- Condition: As described in appraisal
Ultimately, collectors seeking rare art of lasting cultural significance will appreciate this example.
Indeed, with strong provenance and distinguished attribution, it represents a rare opportunity to acquire an authentic piece of American heritage.
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PAINTING MEASURES:
28″ Diagonal board only
TIDS ’n BITS
Provenance often reveals fascinating connections in American art. For example, Martin Johnson Heade’s Portrait of a Man (1840), signed M J Heed 1840 in the lower left, moved from the artist to New Jersey collections before reaching the Museum of Fine Arts in 1995 as a gift from Lucille Talmud Turecki. In between, it passed through the hands of Mr. and Mrs. Karl Marx of Clark, NJ, and dealer Steve Miller in 1988. In addition, Lucille Turecki gifted another significant work—Thomas Chambers’ The Old Mill—to the Smithsonian American Art Museum, also with provenance through Steve Miller. Thus, the Chambers landscape offered here reflects a lineage of artworks trusted by collectors and institutions of national importance.
PLEASE NOTE: Art payments require bank wire transfer unless alternate arrangements are made prior to purchase